Showing posts with label Penang Players. Show all posts
Showing posts with label Penang Players. Show all posts

Saturday, September 4, 2021

A Final Farewell to a Tango Dancer



I originally wrote this article “Farewell to a Tango Dancer” in 2003 for a farewell dinner for Anni Nordmann before she left Penang, Malaysia where I first met her, and later published a revised version for Tropical Affairs.  Having learned that she had recently passed away due to cancer, I thought I would post the article as a final tribute to Anni.

                                                                   Joelle, Robert, Anni

If expats are good at one thing it’s saying goodbye because we do it so often—to expats leaving and those staying behind.  Expats come in two types:  those who come to a country for a year or two before moving onto the next country, and those who come to one country and stay put.  Anni Nordmann was both.  She had been an expat in eight countries—South Africa, Zimbabwe, Switzerland, Gabon, Thailand, Indonesia, Hong Kong, and Singa­pore—before arriving in Penang, Malaysia where she ended up staying for sixteen years.  

After being away from the United States for 28 years, she’s finally returning home.  Like other long-stayers-in-one-country expats like myself, I was wondering, how do you say goodbye to a fellow expat whom you thought would never leave?

Like Anni, when I came to Malaysia 20 years ago, the intention was never to stay for very long, but as years went by, I became settled.  Initially I was awed by those long-time expats who had been here for ten or twelve years, and thought, how do they stay that long?  Don’t they miss their families and friends back home?  But as the years went by, as we started our own families here, this becomes home,             

Although I moved to Penang in 1985, Anni came in 1987 with her Swiss husband and three-year old son, Chris.  Later we discovered that before we met, our paths had crossed several times.  Anni was living in Holiday Inn, where her husband was the general manager, and I had been to the Holiday Inn on many occasions, attending various func­tions, including a Thanks­giving dinner for Americans where she was also present.  My ex-wife and I were close to Stella, Holiday Inn’s guest relations officer, and attended her wedding, as did Anni.  In 1991, after four years, after Anni had already left Holiday Inn, after her husband had moved away to another hotel in another country, we finally met.



  

During the filming of Indochine, starring Catherine Deneuve and Vincent Perez, which won an Oscar for Best Foreign Language Film, the director decided to do a day shoot instead of a night shoot for the Christmas Dinner scene, thus several male expats had to back out as guests and tango dancers.  So the casting people called me as one of the replacements.

Before the actual filming of the scene, all eight tango dancers met in Hotel Equatorial with the film’s choreo­grapher.  In walked Anni, a classy looking Ameri­can who played polo and taught horseback riding.  Anni, however, was not fated to be my dancing partner.  Instead it was her good friend Joelle Saint-Arnoult, another longtime expat from France.  For one week we learned how to dance and turn and dip to perfection.

 

 



Our Christmas Dinner scene in the old Crag Hotel atop Penang Hill took four days to shoot.  Elegantly dressed in period outfits from the 1930s, Anni sat directly across from me, so we had plenty of time to get to know one another.  A few weeks later, Anni, Joelle and I were invited to take part in the racing boat scene in Parit, Perak.

with Lind Dan Pham 

After Indochine, all three of us were extras in Beyond Rangoon—also set in Penang—di­rected by John Boorman, starring Patricia Arquette and Francis McDormand, and Paradise Road, directed by Bruce Beresford, starring Glenn Close and Cate Blanchett.  In Beyond Rangoon, Anni and I worked a few days in wardrobe when they needed extra help to deal with 2000 extras, where we gained a whole new perspective into movie making.





In 1992, Anni, Joelle and I were asked by Angela Clark another tango dancer from Indochine, to help  revive Penang Players after a twelve years hiatus.  Our first play was Admirable Crichton where Joelle and Anni had small acting parts.  Anni’s big part was sound effects, and I was stage manager.  Our behind-the-scenes roles continued for several produc­tions including, Gosforth’s Fete, Between Mouthfuls, The Mousetrap, and Dick Whittington and Wonder Cat.  Joelle played the Wonder Cat and Anni’s son Chris, then age 10, played Dick Whittington.






During this time, Anni and I shared other adventures, too.  She helped to dress me up as Santa Claus for St. Christopher’s School, where her son Chris was attend­ing.  Thanks to Indochine, we became models for Hotel Equatorial, City Bayview, and Bacchus, a French restaurant owned by Joelle and her husband.  We were then hired to dress up as Colonial Officers and their spouses at the E & O Hotel for 200 French Lotto winners. 




For the Penang Heritage Trust’s Twenties Revival at the former Runnymede Hotel, we were asked to reprise our roles as tango dancers from Indochine and put on a performance.  By then, the eight tango dancers in Penang had dwindled to five.

          





Anni and I shared a penchant for visiting places where we didn’t belong, like the remnants of a house in Batu Ferringhi where another long-term expat-cum hermit named Bill McVeigh was still living out the remainder of his life before he passed away.  We snuck into several abandoned bungalows, including one where we were chased by bats, and another time, I tore my shirt slipping through a hole in a fence. 

 There were sad moments too, like giving blood to a fellow Penang Player who later died of cancer; although he was from Penang, he was a long-term expat in France.  Anni, at her own personal risk, once helped another expat flee Penang from an abusive husband. 



In the last five years, Anni devoted herself to “The Farm” at Lone Pine Hotel, where she taught horseback riding, resurfacing now and then to do the sound for yet another Penang Players’ production.  Meanwhile I settled to a life teaching creative writing at USM, went through a divorce, and eventually met someone wonderful from Sarawak and remarried. 


While I concen­trated on teaching and my own writing, Anni offered to read an early draft of my novel and gave helpful feedback.  Over the years she had edited two more of my novels and some short stories.  Extreme­ly supportive of my writing, she, Joelle and others from Penang Players volunteered to launch my collection of Malaysian-set short stories, Lovers and Strangers.  Later they did again for the revised version, Lovers and Strangers Revisited.  By then Anni had left, although I acknowledged her in the book.

When Joelle first told me that Anni was leaving Penang, I contacted her and we quickly caught up with each other’s lives, reminiscing about all the adventures we had shared in Penang, as well as airing each other’s concerns about her returning to the US and her future life as a former expat whose heart will always be in Malaysia where she had spent a third of her life.  When I was going through a difficult custody battle for my son, she gave me the timely advice to “keep your head high”.  I know she will be do the same no matter what happens in the US where many fellow Americans have never traveled out of the US, other than weekend trips to Mexico or Canada, and have no desire to do so.

Like many other short- and long-term expats in Penang, as well as hordes of local friends, especially those in Penang Players or from The Lone Pine—we will miss Anni, particularly Joelle and I, who will remain behind in Penang as the last two tango dancers.




*Later, in 2006, I left Penang for Sarawak on the island of Borneo in East Malaysia where I still reside as an expat. Joelle remains in Penang.

Wednesday, November 1, 2017

Publishing Books in Malaysia and Singapore-Updated (2007-2017)

UPDATE: I originally wrote this as a comment for Lydia Teh’s blog about book publishing in Malaysia back in 2007.  Then I used it to start my own blog.  Since I still keep getting hits on a regular basis and had planned to link to an upcoming interview with a Malaysian writer publishing in Singapore, I thought I should update it.  It’s been ten years!


Yesterday, I was visiting bookstores in Kuching in order to convince them to stock my book, Lovers and Strangers Revisited (Silverfishbooks 2006), since tomorrow 20 May 2007, there will be a profile of me and a review of my book in The Borneo Post. I was told by both Times and Popular Bookstores that the KL office does the ordering for them, so they faxed a copy of my NST review (16 April 2006) with some cryptic notes from me, which I followed up today with a lengthy email to lobby my books into their Kuching stores (hopefully all over Sarawak and Sabah).

Having the interview/review coming out boosted my confidence and gave me credibility since I wasn’t known in Kuching, having recently moved here from Penang, as did the fact that “Neigh­bours”, one of my short stories from the collection, had been selected by the Ministry of Educa­tion to be taught in 2008 SPM Literature, thus guaranteeing a lot of interest among teachers and students.  Plus they will be discussing my story on an online forum on the MELTA website.

UPDATE: MELTA had over 20,500 hits and 276 comments on my story alone before it was archived and later removed. And “Neighbours” was taught from 2008-2014!  Denis Harry had written an article for New Straits Times about my character Mrs. Koh, who has become this stereotype for a busybody neighbor in Malaysia, “Are you Mrs.Koh?”

My Malaysian publisher Silverfishbooks had told me that their Singapore distributor was making excuses about sending my books to Sarawak because of the shipping costs.  For a publi­sher, having a good distributor is imperative or your books won’t be placed in bookstores.  Even getting the books into the stores in Penang (where I lived for twenty years) and on campus at USM (where I taught for ten years), took some arm-twisting and follow-ups on my behalf.  Now I have to start all over again in Kuching.  Hope­fully something will come of the contacts I made yesterday, the emails I wrote today, and phone calls I’ll be making on Monday.

One bookstore did agree to take 25 books on consignment basis.  The problem seemed to be the shipping costs between East and West Malaysia, making the books less profitable for the dis­tri­butor and the publisher, so I agreed to use my own stock and cut a deal with the bookstore. The owner re­quested that his bookstore be men­tioned in the review tomorrow to direct customers his way, which the Borneo Post reporter, who had interviewed me, arranged.  She had even approached the book­store on my behalf (bless her heart!).  I merely sealed the deal with a phone call and delivered the books so I would finally have some books in Kuching before the profile/interview hits.

Timing is everything.  Just wished they were in all of the stores throughout Sarawak and Sabah!

Previously, the original version of my book was published by Heinemann Asia in Singapore back in 1993. 75 copies of my book were sold by a Times Bookstore in Penang—a lot for local fiction.  So when I asked them to restock the book, the manager said no. He said their policy was not to stock second editions except their own (Times Editions) books. I looked at him as if he had a hole in his head. They sold 75 copies!  I was in the store regularly to buy books and to browse and would guide customers his way.  I even held a successful auto­graph signing in his store.  But he refused to make an exception—that was Times Editions policy back in 1993!

Lydia Teh, whom I later wrote the short story “Merdeka Miracle” with (along with Tunku Halim) for Going Places, said that MPH published her third book and she was real happy with them (later her book won the Popular Reader’s Choice Award).  MPH has a good working relationship with MPH Book­stores (not officially related) and they have stores all over Malaysia (but not in Sarawak).  MPH books seem to get good media coverage, good in-store promo­tions, and nice listing in MPH magazine. 

UPDATE:  MPH Bookstore did come to Sarawak and did a great job promoting my book when I later switched publishers to MPH with Silverfishbooks’ blessing since they ran out of stock (and still couldn’t get my books in Sarawak).  I even gave a talk in their store...for three of my books.

Still my big concern about switching publishers…will the books get out of Malaysia/Singa­pore market, a lament I’ve had since my first experience in Singapore.  At least Silverfishbooks has a web­site where you can order my books (with free shipping all over Malaysia including Sarawak and Sabah) and an online news­letter.  But so far, most (if not all) publishers in Malaysia and Singa­pore only sell here; although some, past and present, have tried to make inroads into the UK/US markets.

UPDATE: Websites, online access, and the e-book market has changed that somewhat. Technically anyone around the world can order your book/e-book from your publisher’s website, but in reality they mostly shop at Amazon and other large forums so if your books aren’t there….Some Malaysian and Singapore publishers have recently opened offices in the UK and that’s exciting news for local writers. 

A good place to find a publisher is to browse the Local or Asian fiction section.  I used to jot down unfamiliar or new publishers and then check them out at book fairs in KL and Sing­a­pore, picking up their catalogues, even visiting their offices.  Now it’s much easier via the internet.  Publishers, some promising ones, still come and go, and self-publishing your books has become somewhat ‘acceptable’ but the quality will depend largely on you and who you hire to edit your books—believe me poor or no editing really shows and it’s cringe worthy!  Then there is the problem of getting your books into bookstores and into the hands of potential readers…

Some of these so-called publishers have become aggressive, even contacting unsuspecting writers on their bogs, praising their writing style, convincing them to publish with them and then slapping them with a bank-breaking fee.  Hey, they’re in it for the upfront money!  Oh, you didn’t read the small print?  Sorry-lah, but you still have to pay!  An editing client of mine, despite my objections, found this out the hard way; she was con­vinced it was legit—a mainstream publisher—and had to cough up RM19,000!  She wasn’t so naïve the second time around and followed my advice and took her non-fiction book to MPH.

So beware, investigate, and Google for complaints—they are out there!  Know what you are signing up for!  Also crowdfunding your book has become a safe win-win trend for writers and publishers.  London-based Malaysian author Ivy Ngeow, whom I recently interviewed, crowdfunded a novel in the UK and talked about the pros and cons.

As authors, whether in Malaysia or Singapore, we have to promote our books any way that we can—through websites, blogs, readings, and networking with other writers. Last year, I practical­ly sold more books on my own through a book launch, creative writing workshops, and eager students that I taught, than I did in book­stores and online orders.

For book launches, by the way, you don’t just have one and expect everyone to show up to buy your book. You got to turn it into an event.  Last year in Penang, I asked Penang Players to help (I used to stage manage their plays) and they agreed to sponsor the launch, read excerpts from four short stories, and gave an animated reading of my play, “One Drink Too Many” a comedy that I wrote based on the story, “Neighbours”.  Still I was told I’d be lucky to have 30 people show up.  We had over 100!  But that took a lot of emailing, publicity, a great full page review in the NST mentioning the launch, and turning the launch into an “event” where people talked about attending in advance and brought along friends and enjoyed themselves.  Penang Players were a huge help and very entertaining!

But first, you have to write a book that people want to buy (and hopefully read), then do some homework in Malaysia/Singapore to see who is the best publisher for you and make sure they have a good distributor or your friends will complain, “I went all the way over to so-and-so bookstore to buy your book and they didn’t have it!” Then court the media.  In 2006, New Straits Times did a full page review with color and my photo, so did The Expat Magazine.  Plus I had a few online reviews.  I was grateful for all of them. 

UPDATE:  If someone asks you for an interview, take it seriously.  Don’t be flippant and risk turn­ing away potential readers.  Answering well thought out interview questions in advance or via email takes a lot of time, but the payoff can be huge, especially if others share that on Facebook and Twitter, which could lead to other interviews.  Respect the interviewer’s time and be courteous and grateful.  They could’ve easily interviewed some­one else instead of you. 

The Star, unfortunately, did not review the Silverfishbooks version, even though Silverfishbooks and I had sent them books in KL and I sent them books in Penang.  I also met with Star reporters (including a former student) and a friend who does book reviews for The Star who initially said yes, that she would review the book, but she was already overcommitted and the timing was bad for her, so I forgave her.

UPDATE: This was before Silverfishbooks began to earn nominations for some major awards in Malaysia and overseas.  Their short stories have appeared in anthologies and one of mine was even picked up to be used in a Cambridge Exam that paid quite nicely—thanks to Silverfishbooks.

But I’m not giving up on The Star. I will be contacting them again as soon as The Borneo Post comes out…It’s all about persistence and believing in your work.  So far the individual stories from Lovers and Strangers Revisited have been published 54 times in nine countries, four of the stories have been taught in four universities in Malaysia.  Plus “Neighbours” will be taught all over the country.

UPDATE:  The seventeen individual stories from LSR have been published 80 times in 12 countries, taught in several Malaysian universities, private colleges and in secondary school literature, and also in Canada.  Two stories have been taught at Ohio University (USA) and students from Ohio University traveled to Malaysia to film one of the stories, “Home for Hari Raya”.  (For the MPH version, to help to promote the book, I wrote a blog series The Story Behind the Story that was taught along with the story itself.)

So it’s a bit frustrating that I’m having such a hard time in Kuching getting bookstores to stock my book that only came out last year!  Hopefully tomorrow when my interview/review comes out, all that will change.  I have to remain optimistic, and then build on that momentum for Sara­wak, if not all of Malaysia.  Maybe next time, instead of short stories, I’ll write on some­thing controversial, with a lot of sex and mayhem, so the media will jump all over it. Of course, that could backfire and get my book banned.  At least I could say, if only the book hadn’t gotten banned, it would have been on all of the bestsellers’ lists in Malaysia and Singapore!


 






















UPDATE:  Later, thanks to Lee Su Kim whom I met at conference in Penang, I networked myself into a two-book deal with MPH, and the MPH version of Lovers and Strangers Revisited (with two stories added) was not only reviewed in The Star, but also won the 2009 Popular-The Star Reader’s Choice Award.  In 2011, it was translated into French.  So persistence does pay off! Never give up on your stories or your novel.  Just find another way.  I had to do that when I moved to Kuching, Sarawak on the island of Borneo.
    —Borneo Expat Writer

My interviews with other first novelists by me, also about publishing in Malaysia and Sarawak

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize.
Golda Mowe author of Iban Dream and Iban Journey. 
Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009.
Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009. 


Chuah Guat Eng, author of Echoes of Silence and Days of Change. 

Sunday, January 5, 2014

Lovers and Strangers Revisited - 20 Years


Near the end of 2013 a friend from Penang sent me a Christmas card and mentioned that she was teaching my short story “Mat Salleh” from my collection Lovers and Strangers Revisited for her reading class at UiTM.  I then realized that 2013 was the 20th anniversary of the original publication of Lovers and Strangers (Heinemann Asia, 1993).  Although I’m posting this a little late, I have a strong feeling I haven’t heard the end of these stories for years to come.
 
 “Mat Salleh” was the first short story from the collection published in The New Straits Times.  I sold it again a few months later to My Weekly in the UK, and then "The Future Barrister" won third prize in the 1988 Star contest and "Sister's Room" third place in a contest in the US.  I knew I was onto something.  The 17 short stories set mostly in Malaysia have so far been published 83 times in twelve countries, the collection won the 2009 Popular-The Star Reader’s Choice Award and has been translated into French.  (Previously, three stories had been translated into Japanese.) 


In 2005, a colleague at Universiti Sains Malaysia where I taught creative writing informed me that he was not only teaching my story “On Fridays” in his post colonial course on Singaporean and Malaysian Literature but also planning to teach the collection in the following semester.  Since the book had gone out of print, I contacted Silverfish Books (I was the editor for their Silverfish New Writing 4) and they agreed to re-publish the book.

Having revised the stories numerous times since its initial publishing, I wanted something more; so I revisited (and overhauled) each story—adding new openings, new endings, new back stories, even doubling several stories in length, which I wrote about in the introduction and then added the word ‘revisited’ to the title.

The first book launch in 1993 was organized by Penang Players (I was the stage manager for several productions and critiqued many of their plays prior to their performance.)  Penang Players not only sponsored the book launch they also read extracts from four stories and did a delightful play reading of One Drink Too Many, a comedy that I wrote based on the short story “Neighbours”, thus turning a simple book launch into a literary event attended by over 100 people.

In 2007, after moving to Sarawak, the Malaysian part of Borneo, I encountered some distribution problems, so I agreed to buy out the last of the stock from Silverfish and switched publishers to MPH (2008), followed by another round of editing and adding two stories.  I also created the blog series, The Story Behind the Story, for each of the 17 stories, separating fact from fiction and noting the significant changes that led to their various publications.

Here is the publication breakdown by story with a link to each The Story Behind the Story, except for "Moments," dropped for the revisited collection. *Updated: the total published stories now stand at 83.


14 – On Fridays
8 – Neighbors/Aftermath
7 – Teh-O in KL
7 – Sister’s Room
7 – The Future Barrister
6 – Dark Blue Thread/The Watermark
5 – Waiting
4 – The Station Hotel/Joking
4 – Smooth Stones
4 – Symmetry
5 – *The Stare (added to Silverfish version, replacing “Moments”)
3 – Only in Malaysia (added to MPH version)
3 – Transactions in Thai (added to MPH version)
2 – Home for Hari Raya (and also filmed by Ohio University)
2 – Mat Salleh
1 – Lovers and Strangers
0 – Watcher (blogged it)
1 – *Moments (dropped after original Lovers and Strangers collection)
83

“Neighbours” (about neighbors gossiping over a neighbor’s suicide) was then selected by the Malaysian Education Ministry to be part of the sixth cycle of reading texts for SPM literature for Form 5 students for 2008-2010.  Three times it has been renewed and will be be taught in selected schools through 2015. The Malaysian English Language Teaching Association (MELTA) also had an online thread for “Neighbours” with over 20,500 hits and 30 pages of comments (around 290) before they archived it then took it down.  Denis Harry even wrote an article for the New Straits Times about the story’s main character, a busybody, titled, “Are You Mrs. Koh?”

Over the years many students have contacted me about that story via my website or facebook. When I mentioned to one student whose class was adapting “Neighbours” into a play that I would be attending the Popular Bookfest in Kuala Lumpur the following week for Tropical Affairs, nominated for the 2010 Reader’s Choice Award, her teacher, Christina Chan organized a field trip bringing about a dozen students to meet me.  She said it was a rare opportunity for students in Malaysia to meet the writer of a story that they were currently studying (most had either passed away or lived overseas).   

Robert Raymer with Christina Tan and her students at Bookfest 2010
In addition to the collection itself (stories from the original collection were first taught at a high school in Canada), nine stories that I know of have been taught numerous times at several universities and private colleges throughout Malaysia (along with The Story Behind the Story, a handy aide for both teachers and students I’ve since learned).  In 2012, two of the stories “Mat Salleh” and “Home for Hari Raya” were even taught in the U.S. at Ohio University in their Southeast Asia Studies program (where I had the honor to skype with the students)
.
The Lovers and Strangers collection has been instrumental in other aspects of my life.  In fact, it helped me to land my first teaching job at Universiti of Sains Malaysia where for six years I taught two courses on writing and then created a new course on creative writing that I taught for four years before introducing the materials to Universiti of Malaysia Sarawak and taught it there for another three years.  (I had used Lovers and Strangers Revisited as a calling card while giving a creative writing workshop for MELTA in Kuching.)

Back in 2006 the collection Lovers and Strangers Revisited (and unfortunately the author) was even psychoanalyzed by a Malaysian academic at a short story collection conference in the UK.  As a writer, it’s imperative to develop a thick skin; it also comes in handy for reviews. Thanks to LSR, I’ve been interviewed several times in magazines, newspapers, and online.  I was even put on national TV along with my friend Georgette Tan, who earlier had given me a nice review in The Borneo Post.  Together we appeared on Kuppa Kopi with Sharnaz Sabera.
Georgette Tan, Robert Raymer and Sharnaz Sabera
In 2007, in reaction to a blog post by the Malaysian author Lydia Teh about publishing books in Malaysia, I posted a rather lengthy comment based on my experiences of publishing this collection in both countries, then I used it as the first posting for my own blog, Borneo Expat Writer.  Then in 2009, as part of publicity for LSR, I had been asked to write a short story for Going Places, Malaysia Airlines in-flight magazine for their August Merdeka (Independence) edition along with Lydia Teh and Tunku Halim, both successful authors in Malaysia whom I had yet to meet.   

Accepting the challenge, I quickly came up with an idea and an opening for “Merdeka Miracle” The three of us furiously sent emails back and forth between Kuching, Kuala Lumpur and Paris and London (where Tunku was travelling with his family) to craft a first draft and then revised it daily, about twenty times, to meet the tight deadline.  Later, at the same K.L. Bookfest where I met the students and their teacher, I finally got to meet Lydia Teh.
Lydia Teh and Robert Raymer and "The Merdeka Miracle"

I’m sure the success and the publicity surrounding Lovers and Strangers Revisited, which had just won the Popular Reader’s Choice Award, was largely responsible for me being named one of “50 Expatriates You Should Know” by Expatriate Lifestyle (January 2010)—quite an honor since most of the other expats were diplomats, celebrities, or leaders in their industry and mostly living in Kuala Lumpur, while I taught creative writing, gave workshops, and wrote books in Sarawak.

Robert Raymer standing between nominated writers Yvonne Lee and Adeline Loh.
In 2011 Editions GOPE translated Lovers and Strangers Revisited into French and published it as Trois autres Malaisie, which means "Three Other Malaysia".   Then Ohio University School of Arts, Media & Studies turned my story “Home for Hari Raya” into a film, shot in Malaysia in December 2012/January 2013.  The 24-minute film can now be seen on YouTube.
 
Twenty years has gone by quickly, but the stories in that original Lovers and Strangers collection have come a long way since 1993.  And for 2014, its 21st year, we’ll just have to wait and see what happens next.
          —Borneo Expat Writer

*Update: Rewriting Lovers and Strangers Revisited
                    
                                        And: Trust the Novel Writing (and rewriting) Process


Here are links to four of my author-to-author interviews of first novelists:

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize.

Golda Mowe author of Iban Dream and Iban Journey.

Preeta Samarasan author of Evening is the Whole Day

Chuah Guat Eng,  author of Echoes of Silence and Days of Change. 

Plus: