Thursday, September 29, 2011

A Perfect Day for an Expat Exit--pitch and chapter one

 Yesterday, after “The Woman on the Ferry” the excerpt from my Penang-set novel, The Expatriate’s Choice * new title: A Perfect Day for an Expat Exit), was published in the New Straits Times, I thought it might be a good idea to put that story in the context of the first chapter (since six pages precede it) and show the character’s state of mind as he boards the ferry to Penang.

After a gap of five years, as I worked on other projects that have done well this year in the Amazon and the Faulkner-Wisdom Novel competitions, I finally picked up this novel, originally titled Tropical Moods.  Then over several drafts, I ruthlessly cut 100 pages out of it—one fourth the length, though in actuality about 10% of the words.

UPDATE:  My novel A Perfect Day for an Expat Exit has made the finals of the 2012 Faulkner-Wisdom Competition, results announced before 25 September.  (I'm adding the revised versions of both the pitch and chapter one, now in first person, past tense.)

Here is my pitch:

A Perfect Day for an Expat Exit (86,700 words)
Having your fate hinged on the erratic behavior of a self-indulgent
American expat who has nothing left to live for cannot be good…

The American expat­riate Michael Graver seems to know everybody’s personal secrets.  When his own carefully cultivated past begins to unravel, he lashes out at everyone and three people end up dead.
Distraught over catching his wife making love to an ex-boyfriend, Steve Boston arrives on the island of Penang in Southeast Asia.  En route to a colonial landmark, the E & O Hotel, Boston comes to the aid of a mysterious woman whose complicated life has been made even messier by her father’s body washing ashore.  His death is not only linked to Michael Graver, but also his opium-addicted, anti-American British wife, Amanda.
With nothing left to live for other than an elusive treasure buried by the Japanese at the end of World War Two, Graver gamely manipulates those around him, including Steve Boston who is caught smack in the middle with a gun aimed at his head.  
Set on the tropical island of Penang over a period of nine days culminating with the Chinese New Year, A Perfect Day for an Expat Exit revolves around six desperate and lonely people whose quiet lives explode, thanks to one man and his obsession—Michael Graver.
A Perfect Day for an Expat Exit is currently a finalist in the 2012 Faulkner-Wisdom novel contest, the first book in a potential series set in Southeast Asia.  Two chapters and parts of others have been published as short stories.  The second book, The Girl in the Bathtub, is also a finalist in their novel-in-progress category. 

#  #  #

A Perfect Day for an Expat Exit
The mysterious East faced me, perfumed like a flower,
silent like death, dark like a grave.
-Joseph Conrad

Wednesday, 10 February

          Michael Graver was the first man I had ever met who had killed a man.  The fact that he killed two men—on two separate occasions—in front of me did not make that any easier for me to digest.  He could’ve just as easily killed me, too, but he chose not to—at least not yet.
          Michael Graver was also an expatriate. . . . Having read my share of stories by the likes of Conrad, Kipling and Maugham, I knew that the East had always attracted that strange beast called an expatriate, one of those lonely, alienated men who often have nothing left to live for.  Either they were hiding from their troubled past, seeking some self-indulgent pleasure, or searching for a mythical treasure—or perhaps a little of each, as in Michael Graver’s case—thus adding to their array of personal problems from the bad life choices that they’d made.  They would then lash out at every­one, including the ones they claimed to love, blaming their circumstances on fate con­spir­ing against them as if it was merely a matter of being in the wrong place at the wrong time . . . . Inevitably their lives came to a violent or a pathetic end—usually at their own hands.
          Michael Graver was no different. 
          Being in the wrong place at the wrong time, by the way, was how this journey to the East began for me back in Madison, Wisconsin after I caught my wife Patricia in the backseat of her car—our car—with her old boy­friend.  One of the bad choices that I made that day was fleeing half way across the planet.  The alternative, despite some per­son­al satis­faction, would’ve put me into prison.  I only hoped that by coming to Malaysia I did not suffer the same fate as those other long-lost expatriates—a fate that now befell Michael Graver whose very life has begun to unravel before my eyes.
          “When living overseas as long as I have,” Graver once said to me from the comforts of his decaying, rent-controlled, reputedly-haunted bungalow, “the question that you always have to ask yourself . . . is today a perfect day for an expat exit?”

          One week earlier, while boarding the ferry to Penang, I lagged behind the other passengers—mostly Malays, Chinese, and Indians—overly con­scious of the way the others kept looking at me, as if questioning my reasons for coming.  Something I had been doing a lot of on my own . . . . Still wary of my exact motives for coming here, I suddenly felt a distinct uneasi­ness, an urgency that pene­trated deep inside me; some­thing I hadn’t felt since I was a teen­ager in my mad­den­ing quest to get laid, to forever rid myself the burden of still being labeled a virgin after high school.  Then I­ realized why I had come.  A cat when ready to die goes to a corner and waits.  I had come to my own corner of South­east Asia, or more precisely Patricia’s corner, a tropical island off the west coast of Malaysia.
          Death, when I thought about it, did seem logical.  Already I left my wife, left my business, left my country . . . . Was that the real reason I had come to Penang?  Was that why I was here?  Not entirely con­vinced, I lugged my oversized suitcase to the side railing where I play­fully con­sidered the options.  Drown­ing­, I quickly concluded, would be the easiest . . . . There was no poison to find.  No weapon to procure.  No high place to seek out.  No special timing involved.  Just jump when I was good and ready . . . . A ferry jump also smacked of­ intrigue.  Some young, ambiti­ous detective bucking for a promo­tion may suggest that per­haps I had been pushed.  In any lang­uage that would trans­late into murder.  The local press would have a field day.  With an American involved—identified from my business card-cum-nametag on my luggage—the inter­na­tional wire service would pick up on the story.  Head­lines would glare:


          Even if the papers toned it down to FOUL PLAY, it would still grab people’s attention;   maybe even Patricia’s.  Someone might recognize my name or the name of our business and point it out to her.  At least here in Malaysia, like those colonial expatriates from long ago, I could die anony­mous­ly, buried in an unmarked grave in some overgrown cemetery that people rarely visited, rest­ing in perman­ent peace . . . . Then again, I didn’t have to die.  Just fake my death.  Disappear.  Change my identity from Steve Boston to someone else, someone already dead.  Thus, no divorce proceed­ings.  No lawyers.  No past to deal with.  Just start from scratch here in Penang as a tropical virgin.
          I wiped the perspira­tion from my forehead as I glanced at some of the seated pas­sen­gers—an elderly Chinese man, stroking the gray strands of hair sprouting from a chin mole; a stout, turbaned Sikh, shuffling his thick sandaled feet; and a sari-clad woman with a gold ring through her nose, nodding at him respectfully.  Sitting in front of them, three school girls in matching tur­quoise pinafores giggled at two boys snapping chewing gum.  An Australian serviceman shot stern looks at the boys, while a pair of laid-back back­packers took it all in.  Plenty of potential witnesses, about two hundred—more than enough to con­fuse the truth.
          I could just picture the look on Patricia’s pretty freckled face when she found out where I had fled to:  her beloved Penang, her birthplace, where she lived the first six months of her life, the daughter of an Amer­i­can couple who met and copulated while in the Peace Corps.  My death would cast a pall on her trea­sured memories of having been an exchange student here in high school and return­ing later with her boyfriend Martin.  The same Martin I caught her fucking in the back­seat of her car—in our car.  All Patricia ever seemed to talk about was Penang.  But now she would no longer be able to think about her precious Penang with­out thinking of me.

          An old Chinese man munching on sunflowers seeds spat the shells onto the wooden deck.  He paused to look at me but then continued adding to the mess that he was creating.  The throb­bing motion of the ferry as it left the mainland port of Butterworth added to my rest­lessness.  Lost in my jumbled, jet-lagged thoughts, I stared blankly out at the sea.  Another passenger bumped into me but kept on going as if I was not there.  Patricia used to do the same, treating me as though I were a mis­placed chair that was constant­ly in the way.
          I peered over the side of the ferry at the green water churning to white.  Pieces of wood, bits of styrofoam and a colorful array of plastic bags were being sucked in by the advancing ferry and spat out.  Beige foam covered patches of the sea like icing.  Despite its filth, its drifting flot­sam, the sea still held a special allure.  Ad­mit­tedly I felt drawn to it, drawn to its eternal patience, its willingness to accept me on my own terms.  It would be easy to yield to it.  If I concentrated hard enough on the same spot, I could see my­self in the water, see my image spiraling downwards, my arms fully extended above my head, my hands reaching, grasping for the surface as I sank deeper and deeper.
          Finding a foothold on the railing, I stepped up to get a better look at the sea.  The ferry sud­denly lurched and I was thrust forward.  To keep from being tossed over the side like unwanted trash, I tightened my grip on the ledge, my knuckles turning bone white, and braced myself.  Heart thumping, legs shaking, I held onto the railing longer than necessary before I eased myself back down.
          Avoiding the gaze of those around me, lest one or all of them had been watch­ing, I noticed an empty seat between two Chinese men.  I dragged my suitcase and sat down in muted silence, putting on hold any further speculations on this silly notion of suicide.  Really, I was not in the mood.  I wasn’t in the mood for much of anything right now other than to get as far away from Patricia as I possibly could, even if it killed me.

          Off to the left, Penang Bridge came into view—reputedly the third longest in Asia when it was built.  I had seen it before in Patricia’s photos and coffee table books on Penang, mostly while under construc­tion.  Mid­way between the bridge and the ferry, an unusual bright­ness seared its way through the clouds.  The bright­ness grew in intensity before finally revealing itself in its entirety, a ball so huge and orange I could almost taste it.  The sun’s rays created an illuminated path along the sea that stretched toward me like an accusing finger.  Enter­ing the path, a red and black freighter trans­formed itself into a silhouette.  The sunlit water around the freighter shimmered in its wake.  A double-decker ferry, mustard in color with black smoke billowing from its stack, crept toward us from the opposite shore as it returned to the main­land.  The ferry, like the one that I was on, had pedestrians on top and cars and motor­cycles below.  Thinking photo­graph, I reached for the camera inside my suitcase.  At that same moment the Chinese man sitting next to me spat on the floor.  The spit’s sheen against the dull planks held my attention longer than I preferred.  I quickly turned away.  A glint of gold, however, caught my eye.
          The gold was draped around a dark slender ankle.  The woman’s foot arched in and out of a black and gray low-heeled shoe.  In and out . . . in and out the foot went.  It kicked itself free of the shoe, leaving only the toes inside.  The leg was crossed, the foot rose, and the shoe dangled precariously from its new height.  Up and down . . . up and down the foot went . . . .  The shoe, on several occasions, came dangerously close to dropping.  But each time, the foot arched, the toes straightened, and the shoe slid back into place, securely hooked.  The foot was lowered and the toes slipped out, free at last.  All five of them celebrated by curling up and down and wiggling from side to side, soaking up the fresh air.  The ankle rotated clock­wise, and then counter­­clock­­wise.  With each move­ment, the anklet danced mer­rily around the owner’s ankle.
          The smooth curve­ of the attached leg drew my gaze up the gentle slope of the calf, up and around the bent knee to a white-pleated skirt.  The skirt led directly to the thighs, to the hips, to the waist, where it abruptly ended at a navy blue blouse.  Midway up the blouse my gaze was blocked when an over­weight woman shifted over a seat.  I leaned back and for­ward, and from side to side, but every effort to see around the woman was frustrated by the plump­ness of her presence.
          Having lost all interest in the photograph, I bided my time until I could see the rest of this woman, if only out of curiosity, her face in particular . . . . While waiting, I retrieved the map of Penang to familia­r­ize myself with the general layout of George Town, specifically the area around the jetty and Fort Cornwallis and also where I planned to stay, The Eastern & Oriental Hotel, a coloni­al land­mark that dated back to 1885.
          I looked up just as the woman began to make her way toward the center aisle.  She was Indian, as I had surmised from her ankle, yet her smooth light brown hair seemed rather peculiar.  For one, it wasn’t black.  The hair didn’t appear to be dyed either, but natural, as if she were part Cauca­sian.  The woman, per­haps conscious that she was being watched, glanced my way.  She revealed high cheek bones, slender nose, sensuous lips, and dark alluring eyes that were black as obsidian with the right touch of mystery.  She epitomized everything that I had read and imagined about the East, except for the color of her hair.
          Intrigued, I found myself rising from my seat.  I left behind my oversized luggage that was not only bulky but also impracti­cal.  I gingerly stepped over the old man’s spit and made my way to the center aisle. 
          An Indian in his late forties entered the aisle a few rows ahead of me and blocked my view of the woman.  He was dressed shabbily in a torn yellow T-shirt, filthy blue sweat pants, and rubber sandals too small for his cracked and callused feet.  The other passengers turned and looked at each of us in succes­sion as we passed by:  the woman, the Indian, and me.
          Upon reaching the front of the ferry, the woman leaned on the front railing and pushed her smooth hair back as she gazed out at the sea.  The Indian walked up to her and whispered into her ear.  She cringed and shooed him away.  Noticing that I was watching them as I approached, the man stepped aside.  He lit a cigarette all the while ogling the woman.
          Since there was not enough space between them without crowding in, and none on the woman’s right due to some other passengers, I settled for a spot to the left of the Indian, glad to have a decent view of both the woman and also the approach­­ing island—such a contrast to Madison where I was born and bred and bored to death until Patricia came along and ran my life through a clothes wringer and then turned me, rather unceremoniously, into a cuckold.
          Despite Penang having its own airport and a bridge linking it to the main­land, the best way to arrive on the island, at least accord­ing to Patricia, was by ferry.  Only the ferry came directly at the head­land, creep­ing upon it slowly, thus allowing you the full experi­ence of discover­ing Penang as it unfolded:  its tropical ambiance, its colonial-era buildings, and its multi­racial cultures.  There were a lot more high-rise buildings than I had hoped to see, including an octagonal monstrosi­ty right smack in the center of George Town that dwarfed every­thing else on the island.

          My clothes flapped in the breeze as I glanced at the woman.  Perhaps she was part of the Eurasian community I had read about in one of Patricia’s books, a descendent of the Portu­guese that had originally settled in Malacca.  Or maybe she was a product of mixed parentage, an offspring of a colonial officer and an immigrant from Sri Lanka.  Penang was famous for its mixed marriages.  As far as I could tell, other than a glance or two in my general direction, if only to keep an eye on the Indian, she hadn’t really noticed me.  Who did notice me, of course, was the Indian.  The man drew in long and hard on his cigarette, suck­ing in the last remnants of charred tobacco; he then flicked the cigarette butt over the railing.  I followed its arc, lit red by the ash, into the sea.  When I looked up, the man’s eyes were fixed on me; his head cocked back into a grin.  His face was gaunt, pock­marked, his eyes milky, and his teeth yellow and decaying.  In a groggy, drunken fashion he swiveled around and gaped at the other passen­gers, many of them gathering their belong­ings and corralling their children, preparing to disembark.
          Turning his attention back to me, he said in a hoarse, whispery voice, “I have what you’re looking for.”
          I pretended not to understand him and shifted my gaze to the ramshackled piers jutting out from the shore.  Corrugated-zinc roofed shacks had been built on top of the pier; below, sampans rotted in the mud and the sewage.  The moored sampans and rickety piers were reminis­cent of another era.  I could easily imagine the coolies unloading in­com­­ing cargo from the ships and carrying them on their bent-over backs.  And the Chinese, with their long black queues, waiting tirelessly­ beside their rickshaws for their British Raj passengers.  The British were long gone; even their name for Penang—Prince of Wales Island for the future George IV—was dropped in 1957 after Malaya won indepen­dence.  Remain­ing behind was the faded elegance of their colonial buildings standing sentinel along the shore.  Even these seemed overshadowed by the octagonal Komtar, rising a full-bodied sixty-five stories to the clouds.  At its base, and com­pleting its phallic image, was a geodesic dome.
          The Indian cleared his throat and spat into the sea.  He asked, “You, English­man?”
          I nodded, though I didn’t bother to correct the man as I continued to study the approach­ing island.
          “My name, Raja,” he said.  “Your name what?  John?”
          “Yes,” I replied, glancing at him, reluctant to reveal my real name.  For now John was as good as any.
          Raja again cleared his throat.  He gazed once more at the woman as he headed back to an empty seat, dragging his rubber sandals along the bare planks, not bothering to lift his feet.  Just before he sat down, he cast one final glance at her, a look suggesting he not only knew her but was expecting some­thing from her.  I wondered what it was.

          The woman leaned heavily on the railing, her arm closely guarding a black travel bag strapped around her shoulder.  She pushed her hair aside as she glanced in my direction.  Notic­ing that I was watching—perhaps she had been aware all along—she hesitated but then smiled at me.  The smile seemed friendly, spontan­eous, and maybe even genuine.  It took me by surprise.
          I attempted to muster a friendly smile of my own, though I was not all that success­ful.  Half of my mind was still on Patricia, on what I had caught her doing in our car.  The woman’s dark eyes glistened as if sensing my ambiva­lence.  She turned away. 
          I kicked myself for blowing it. 
          Mo­ments later, I watched as she rubbed her shoe against the back of the other leg causing the gold anklet to slide up and down her ankle.  Up and down . . . up and down the anklet went . . . . My gaze traveled to her matching gold bangles, gold watch, and gold earrings.  No gold wedding band that I could see, though her left hand was partially blocked by the travel bag.

          The ferry aligned itself with the jetty.  More passengers stirred in their seats; several in back were already advancing eager to get a jump on those still seated.  I kept thinking about the woman’s smile, her hair, her anklet, and her restless feet . . . and tried to block out the disjointed thoughts about my life with Patricia back in Madison.  I only wanted to think about this woman on the ferry.
          More and more passengers came to the front, crowding the area, filling the gap be­tween the woman and me.  I inched closer, but too many people were blocking the way.  The ferry docked and the remaining passen­gers rose to their feet.
          “Move,” I told myself and the front gate yawned open.  I attempted to reach the woman if only to exchange another smile.  The surging crowd cut me off.  Passen­gers bumped into me from all sides.  I was in their way, block­ing their path.  ­I tried to follow the woman through the throng of people, but there were too many people sepa­rating us . . . . Then she was gone.
          I lost her.
          Reluctantly, I retreated back to my seat to retrieve my luggage.  Several people gave me annoyed looks for going in the wrong direction, against the flow.  Raja smirked at me as if I were no better than him.  I kept moving and mumbling “Sorry” as I steered myself out of their way.  At the same time, I was scolding myself for not acting when I had the chance; for letting the woman get away.  I then reminded myself that this woman was only another passenger on a ferry.  Someone from a different country, a different culture, and a different race.
          A complete stranger.
          Upon reaching the approximate area where I thought I had sat, I had to pause and think, was it here?  Or further back?  Something crunched underneath my shoe.  The shells from the sun­flower seeds.  I found the row where I had sat, but there was no suitcase.  It was no longer where I had left it. 
          What the . . . ? 
          I searched under the rows in front and behind and then all around the area.  I didn’t see my luggage anywhere.  I looked around for help but the ferry was empty except for an old man at the far end sweeping away some debris.
          “Where’s my luggage?” I shouted at the man.  “Where’s my luggage!”
          The man squinted at me.  He held up his hand into the shape of a cup and wiggled it from side to side.
          “Me no speak English.  Me no speak English,” he said, and went back to his sweeping.
          I contemplated my predicament and couldn’t help but laugh. 
          So this is what it’s like starting from scratch.  
            One thing I did know for certain was that I was alive and well on Patricia’s Penang.
               --Robert Raymer, Borneo Expat Writer

Wednesday, September 28, 2011

The Woman on the Ferry, NST 28 Sept 2011

"The Woman on the Ferry" which appeared in today's New Straits Times, is an excerpt from chapter 1 from my Penang-set novel A Perfect Day for an Expat Exit.  There are nearly 6 pages that precede this, which I'll post tomorrow, so for those interested, you'll be able to read the story in context.  The novel is set in 1988.

UPDATE:  My novel A Perfect Day for an Expat Exit has made the finals of the 2012 Faulkner-Wisdom Competition, results announced before 25 September.  (I'll post the revised version of chapter one, above.)

Wednesday, September 14, 2011

Announcing the Third Creative Wrtiing Workshop in Kota Kinabalu!

        As promised by the organizers at the second workshop in Kota Kinabalu in August '11:



When:  Sat, 22 October
Time:  2.00-6.00pm
Cost:  RM120
Who:  16-90+ years old
Where:  7th Floor, Wisma Anglican, Karamunsing
Next:  Email or sms your name, contact phone number & email address to.................

Contact:         Jude Day – 014-3514298 /
edit- improve - edit - improve - editIMprove


8 October – send a piece of your writing to for Robert

22 October – discussion of samples of writing:  what has been done well and how the piece can be improved. 

*You can come to the workshop even if you haven’t sent in a piece of writing!

Guidelines – for submitting your work:
·         A-4 paper
·         2-5 pages
·         Double spacing
·         1.25-1.5 margins on all sides
·         Times Roman 12
·         Left justification only
·         Page numbers
·         Title and your name on each page
·         Centre the title and add your byline.  For example: 
Robert Raymer
Advice from Robert
*      Don’t give up
*      Trust your instincts
*      Write 3 or 4 drafts before submitting your writing
*      Proof your work before submitting it
*      Enjoy the process!

Organised by the KK Theatre Group, SPArKS 

NOTE:  You can attend this workshop – even if you missed the others!
*Here is the full writing guidelines and our reasons for allowing those who had missed the other two workshops to participate.

Robert Raymer

As was mentioned at the second workshop, choose one sample of your work only, either your first-person narrative from the workshop, or your “they found me” story (see Tina's sample), or if you wrote something else since the August workshop, or finished something that you started at the first workshop in April! The choice is yours.  Those who missed both workshops but are still keen to join and learn, then send in your best work.  If you still want to attend but opt not to submit your work and have it discussed (this is fine; it’s a personal decision), you can still learn from the process, from the mistakes or over­sights of others or from what they’re doing well.  I would recommend getting started on this right away so you’ll have adequate time to go through it and revise it without rushing to get it done at the last moment—remember school?
Please use A-4 (white) paper, 2-5 pages, double-line spacing, with 1.25-1.5 margins on both sides (and top and bottom) to allow plenty of room for corrections and comments.  Use Times Roman 12.  (No fancy fonts, which are hard to read and one side of the paper only!)  Either American or British spelling is acceptable—just be consistent.  And learn how to punctuate: one space after a comma, two spaces after a full stop (and only one exclamation mark no matter how exciting your point!).  Do not use full justification, which spreads out text unnaturally; use left justification only.  (These are standard guidelines for submissions to editors and for entering contests.)   Use page numbers and put your name/title on each page.  Center the title and add your byline (see above).  My Story, or My Narrative or They Found Me, by the way, are not titles; they're subjects!
Trust your instincts while you write and don’t give up so easily!  Ideally you should write three or four drafts before submitting it (I often print it out a couple of times to edit it again); each time you go over it, your writing will improve (and you’ll catch more typos and mistakes!).  Writing is a process, a skill you can use for the rest of your life.
Also proof your work, especially if someone else typed it for you.  Why be penal­ized for their careless mistakes?  Even if you already write well, take the time and effort to improve your writing by taking it to a higher level.  Apply the 12 Rules to Improve Your Writing Style handout that I passed out (there are plenty of other writing tips on the Internet or in bookstores).  Enjoy the process of writing and take what you write seriously (but not too seriously!); if you don’t, why should anyone else care?
Please sent this to me two weeks before the workshop (via Jude) so I’ll have adequate time to go through them all.  (Afterwards, do not send revised pages/copies, new versions or new stories because that will just make the process messy and troublesome for all.  Nor do I want to waste an hour going through the wrong version or the wrong story!)  So only send it when it is ready.  For this round, I will not be doing a full edit, just making general comments for the workshop (concentrating on the first two pages where narratives/stories often go wrong); still this is time consuming and often requires me to re-read your manuscript a couple of times and think about ways it can be improved!  Also bring an extra copy to the workshop for you to make comments on!  And extra paper for notes and reminders and ideas while we’re discussing the other work.  Since it’s far easier to spot mistakes in other people’s work than your own (even when you’re making similar mistakes), please offer your gut-level constructive suggestions.  Others will appreciate it.  You can also learn from these comments and then apply them to your own story.
After the next workshop, after you have had time to make any suggested changes, then I will be willing to do a full line edit with comments at a reasonable rate (based on double-space pages) for this and for any future work.  I have done this for years with students and even published authors.  This is also what I did when I first began to write—hired someone to help edit my work; we all have our blind sides when it comes to our own writing.  Again, this is optional, but highly recommended for those who really want to improve their writing.
Looking forward to reading your work and seeing you again in KK for our next workshop.
* Here's the link to the third workshop.
**Here's the link to the first workshop in KK
***If you know of other organizations or associations in Sabah/Sarawak/West Malaysia/Singapore/Brunei that would be interested in having me for workshop, please contact me.   Thank you!

******Announcement latest workshops:  Writing Your Life Stories Workshop—Kuching! 23 June 2012 (with links to other workshops and writing tips!) and also a workshop in KK on 17 June 2012!