Trust the Novel Writing (and Rewriting) Process

 

Two years ago, in March of 2022, after finally completing a sixth novel (set in Pompeii about an unusual friendship be­tween an American backpacker and a British expatriate widow re­siding in Malay­­sia), I got the idea to rewrite a couple of my other novels (to give them a fighting chance in a tight US/UK market).  While I was at it, I did all five novels, plus two col­lections of short stories (in­clud­ing Lovers and Strangers Revisit­ed that I blogged about), and a play, a comedy based on the short story “Neigh­bors”. 

I knew that a quick read wasn’t going to do them justice, so I decided to give each novel what I came to call the 9X treatment.  First, after printing them out, I would line edit each manu­script 3X (three times)—in black, in blue, and in red.  Then on the com­puter, I would go through each chapter 3X—making additional corrections and tightening the writing by cutting and rearranging sen­tences, paragraphs.  (Never assume your writing is good; assume you can make it better!)

Then for the final 3X, I would go through each manuscript beginning to end.  The first pass is straight forward and gives me a good feel for pacing, structure, chronological order, inter­nal logic—is it working or not?  For the second pass I would start with the last chapter, then the next to last chapter, working my way to the first chapter.  Editing chapters out of sequence is power­ful.  It makes you think…wait, did I mention this detail earlier; then double check those early chapters and make the necessary changes.  A good way of catching those errors of omissions!

If I add new details at this stage, I would immediately go back and reference those details, if neces­sary, in the earlier chapters (lest I forget later).  Of course, I would do the same while editing the manu­scripts in var­ious colors, scribbling in my notes and reminders to add in or move around various para­graphs or a shift a scene to a more effective lo­ca­tion.  Then I would go through the manu­script one more time from beginning to end to com­plete the 9X process.  For the short stories, since each story is complete within itself, I would stop at 6X. 

Early during this novel rewriting process, I got a great idea for a seventh novel.  Not want­ing to be distracted, I began shoveling notes (and eventually note­books) into a loose folder.  By mid-2023, I added my Pompeii novel back into the mix to help cut the length and improve it with fresh eyes, impressed by what I had accomplished thus far with the other novel re­writes.

I also created a progress chart for all eight manuscripts since their progress ov­er­lapped, and would then check off each completed step in the 9X process.  No skipping steps along the way just because no one is look­ing!

True, it was a lot of work.  It's also a nice feeling knowing that I followed through the entire proc­ess, thus keeping my commitment to myself.  When I started, I didn’t think it would take two years!  Nor had I planned to do all five novels, let alone redo that sixth novel, plus both collection of stories and that play that had been sitting idle for nearly a dec­ade.  I kept think­ing, while I’m at it…

And while I’m at it, I’ve started a new progress chart for 2024 and the remainder of this decade (and the next—I’m being ambitious!) for future novels, beginning with that seventh novel, having accumulated over 400 pages of notes these last two years.  Plus, I have several previous novels on hold for one reason or another, some with com­plete rough drafts; others, a third of the way through the first draft; or with hundreds of pages of notes already in the computer, including sequels to the other six novels.

Itching to get started, I’ve already begun writing that novel number seven.  In the meantime, I’m hoping one of these six re­written novels will open the door for the others, making all the hard work pay off.  Or maybe it will be this seventh novel… You have to trust the novel writing (and rewriting) process.

       —Borneo Expat Writer

 My interviews with other Malaysian writers:

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize. 

Golda Mowe author of Iban Dream and Iban Journey

Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009. 

Chuah Guat Eng, author of Echoes of Silence and Days of Change.

Malachi Edwin Vethamani, author of Complicated Lives and Life Happens.

“On Fridays” UiTM Google Meet That I Almost Missed!

May of last year, I was up at 5:15 a.m. to get my son off to school.  Not feeling well (lack of sleep, perhaps), I went back to bed.  A phone notice woke me up, informing me that my story “On Fridays” from Lovers and Strangers Revisited, which I recently rewrote and blogged about, was being discussed in a Collaborative Teaching at Universiti Teknologi MARA or UiTM—Penang (Bertam campus), led by Associate Professor Dr. Mohamad Rashidi Pakri of USM (discussing the literary aspect of the story) and Nazima Versay Kudus of UiTM. 

Previously, during Covid lockdown, I had been invited by Nazima to join Google Meet to answer questions about my short story "Neighbours" also from Lovers and Strangers Revisited for her Faculty of Health Science students.  This time around, since it involved about sixty students from several classes from Health Science, who are learning about narrative writing, it was more practical to record and share the session among the students than to get them all together at one time, even online.

Surprisingly, I had not been forewarned, or was I a last-minute inclusion—hey, let’s wake up Robert to see if he’s available!  Either way, I was too late for the discussion, but I did manage to join the Q & A session.

 

“On Fridays,” the first story from Lovers and Strangers Revisited has been published over a dozen times in seven countries.  In 2003, it appeared in The Literary Review (USA) and Frank (France) in a joint publication.  I had sent the story to the editor of Frank, unaware that he had been asked to be the guest editor of The Literary Review, so he chose “On Fridays” for their joint issue on Expat Writing.  The story, about an expat living in Penang, Malaysia who sits beside a crying woman in a taxi, later appeared as a reprint for Cha: An Asian Literary Journal in 2010.  Since then, the story had been revised several times in my effort to finally get it right… 

I would like to have listened in the session, to hear what the students thought of the story since they would be freer to discuss it without the presence of the author—for fear of embarrassing themselves or offending him—so why did we have to read that stupid story in the first place?  It nearly put me to sleep!  Hopefully, no one said that or felt that way!

            

By the time I came on board, or online, (freshly showered and wide awake) some students may have already left (is he coming or not?)  The questions they did ask me were straight forward.  Why did he, the unnamed first-person character, feel com­pelled to hold her hand instead of just speaking, “Hi, how are you?”  Was it im­portant that she wore traditional clothes?  Did the story really take place?  Was it a true story?  More than once, in the past, I had been asked, “Have you found her?”  “Are you still looking for her?” Many of these ques­tions I had discussed in the Story Behind the Story (which I wrote for all seventeen stories for the MPH publication), about how the story came to be written, how the story evolved after its initial publication, what significant changes I made to the story (and why) that led to subsequent publications overseas… 

Having wrote the story in 1988 (first published in the March ’89 issue of Female in Singapore), I feel honored that the story “On Fridays” is still being taught in 2023, 35 years later, and it still resonates with university students who can identify with the characters, even a lonely expat inside a share taxi on a rainy day sitting beside a crying Malay woman reading a letter on blue paper…

       —Borneo Expat Writer

 My interviews with other Malaysian writers:

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize. 

Golda Mowe author of Iban Dream and Iban Journey

Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009. 

Chuah Guat Eng, author of Echoes of Silence and Days of Change.

Malachi Edwin Vethamani, author of Complicated Lives and Life Happens.

Publishing Books in Malaysia and Singapore-Updated (2007-2017)

UPDATE: I originally wrote this as a comment for Lydia Teh’s blog about book publishing in Malaysia back in 2007.  Then I used it to start my own blog.  Since I still keep getting hits on a regular basis and had planned to link to an upcoming interview with a Malaysian writer publishing in Singapore, I thought I should update it.  It’s been ten years!

Yesterday, I was visiting bookstores in Kuching in order to convince them to stock my book, Lovers and Strangers Revisited (Silverfishbooks 2006), since tomorrow 20 May 2007, there will be a profile of me and a review of my book in The Borneo Post. I was told by both Times and Popular Bookstores that the KL office does the ordering for them, so they faxed a copy of my NST review (16 April 2006) with some cryptic notes from me, which I followed up today with a lengthy email to lobby my books into their Kuching stores (hopefully all over Sarawak and Sabah).

Having the interview/review coming out boosted my confidence and gave me credibility since I wasn’t known in Kuching, having recently moved here from Penang, as did the fact that “Neigh­bours”, one of my short stories from the collection, had been selected by the Ministry of Educa­tion to be taught in 2008 SPM Literature, thus guaranteeing a lot of interest among teachers and students.  Plus they will be discussing my story on an online forum on the MELTA website.

UPDATE: MELTA had over 20,500 hits and 276 comments on my story alone before it was archived and later removed. And “Neighbours” was taught from 2008-2014!  Denis Harry had written an article for New Straits Times about my character Mrs. Koh, who has become this stereotype for a busybody neighbor in Malaysia, “Are you Mrs.Koh?”

My Malaysian publisher Silverfishbooks had told me that their Singapore distributor was making excuses about sending my books to Sarawak because of the shipping costs.  For a publi­sher, having a good distributor is imperative or your books won’t be placed in bookstores.  Even getting the books into the stores in Penang (where I lived for twenty years) and on campus at USM (where I taught for ten years), took some arm-twisting and follow-ups on my behalf.  Now I have to start all over again in Kuching.  Hope­fully something will come of the contacts I made yesterday, the emails I wrote today, and phone calls I’ll be making on Monday.

One bookstore did agree to take 25 books on consignment basis.  The problem seemed to be the shipping costs between East and West Malaysia, making the books less profitable for the dis­tri­butor and the publisher, so I agreed to use my own stock and cut a deal with the bookstore. The owner re­quested that his bookstore be men­tioned in the review tomorrow to direct customers his way, which the Borneo Post reporter, who had interviewed me, arranged.  She had even approached the book­store on my behalf (bless her heart!).  I merely sealed the deal with a phone call and delivered the books so I would finally have some books in Kuching before the profile/interview hits.

Timing is everything.  Just wished they were in all of the stores throughout Sarawak and Sabah!

Previously, the original version of my book was published by Heinemann Asia in Singapore back in 1993. 75 copies of my book were sold by a Times Bookstore in Penang—a lot for local fiction.  So when I asked them to restock the book, the manager said no. He said their policy was not to stock second editions except their own (Times Editions) books. I looked at him as if he had a hole in his head. They sold 75 copies!  I was in the store regularly to buy books and to browse and would guide customers his way.  I even held a successful auto­graph signing in his store.  But he refused to make an exception—that was Times Editions policy back in 1993!

Lydia Teh, whom I later wrote the short story “Merdeka Miracle” with (along with Tunku Halim) for Going Places, said that MPH published her third book and she was real happy with them (later her book won the Popular Reader’s Choice Award).  MPH has a good working relationship with MPH Book­stores (not officially related) and they have stores all over Malaysia (but not in Sarawak).  MPH books seem to get good media coverage, good in-store promo­tions, and nice listing in MPH magazine. 

UPDATE:  MPH Bookstore did come to Sarawak and did a great job promoting my book when I later switched publishers to MPH with Silverfishbooks’ blessing since they ran out of stock (and still couldn’t get my books in Sarawak).  I even gave a talk in their store...for three of my books.

Still my big concern about switching publishers…will the books get out of Malaysia/Singa­pore market, a lament I’ve had since my first experience in Singapore.  At least Silverfishbooks has a web­site where you can order my books (with free shipping all over Malaysia including Sarawak and Sabah) and an online news­letter.  But so far, most (if not all) publishers in Malaysia and Singa­pore only sell here; although some, past and present, have tried to make inroads into the UK/US markets.

UPDATE: Websites, online access, and the e-book market has changed that somewhat. Technically anyone around the world can order your book/e-book from your publisher’s website, but in reality they mostly shop at Amazon and other large forums so if your books aren’t there….Some Malaysian and Singapore publishers have recently opened offices in the UK and that’s exciting news for local writers. 

A good place to find a publisher is to browse the Local or Asian fiction section.  I used to jot down unfamiliar or new publishers and then check them out at book fairs in KL and Sing­a­pore, picking up their catalogues, even visiting their offices.  Now it’s much easier via the internet.  Publishers, some promising ones, still come and go, and self-publishing your books has become somewhat ‘acceptable’ but the quality will depend largely on you and who you hire to edit your books—believe me poor or no editing really shows and it’s cringe worthy!  Then there is the problem of getting your books into bookstores and into the hands of potential readers…

Some of these so-called publishers have become aggressive, even contacting unsuspecting writers on their bogs, praising their writing style, convincing them to publish with them and then slapping them with a bank-breaking fee.  Hey, they’re in it for the upfront money!  Oh, you didn’t read the small print?  Sorry-lah, but you still have to pay!  An editing client of mine, despite my objections, found this out the hard way; she was con­vinced it was legit—a mainstream publisher—and had to cough up RM19,000!  She wasn’t so naïve the second time around and followed my advice and took her non-fiction book to MPH.

So beware, investigate, and Google for complaints—they are out there!  Know what you are signing up for!  Also crowdfunding your book has become a safe win-win trend for writers and publishers.  London-based Malaysian author Ivy Ngeow, whom I recently interviewed, crowdfunded a novel in the UK and talked about the pros and cons.

As authors, whether in Malaysia or Singapore, we have to promote our books any way that we can—through websites, blogs, readings, and networking with other writers. Last year, I practical­ly sold more books on my own through a book launch, creative writing workshops, and eager students that I taught, than I did in book­stores and online orders.

For book launches, by the way, you don’t just have one and expect everyone to show up to buy your book. You got to turn it into an event.  Last year in Penang, I asked Penang Players to help (I used to stage manage their plays) and they agreed to sponsor the launch, read excerpts from four short stories, and gave an animated reading of my play, “One Drink Too Many” a comedy that I wrote based on the story, “Neighbours”.  Still I was told I’d be lucky to have 30 people show up.  We had over 100!  But that took a lot of emailing, publicity, a great full page review in the NST mentioning the launch, and turning the launch into an “event” where people talked about attending in advance and brought along friends and enjoyed themselves.  Penang Players were a huge help and very entertaining!

But first, you have to write a book that people want to buy (and hopefully read), then do some homework in Malaysia/Singapore to see who is the best publisher for you and make sure they have a good distributor or your friends will complain, “I went all the way over to so-and-so bookstore to buy your book and they didn’t have it!” Then court the media.  In 2006, New Straits Times did a full page review with color and my photo, so did The Expat Magazine.  Plus I had a few online reviews.  I was grateful for all of them. 

UPDATE:  If someone asks you for an interview, take it seriously.  Don’t be flippant and risk turn­ing away potential readers.  Answering well thought out interview questions in advance or via email takes a lot of time, but the payoff can be huge, especially if others share that on Facebook and Twitter, which could lead to other interviews.  Respect the interviewer’s time and be courteous and grateful.  They could’ve easily interviewed some­one else instead of you. 

The Star, unfortunately, did not review the Silverfishbooks version, even though Silverfishbooks and I had sent them books in KL and I sent them books in Penang.  I also met with Star reporters (including a former student) and a friend who does book reviews for The Star who initially said yes, that she would review the book, but she was already overcommitted and the timing was bad for her, so I forgave her.

UPDATE: This was before Silverfishbooks began to earn nominations for some major awards in Malaysia and overseas.  Their short stories have appeared in anthologies and one of mine was even picked up to be used in a Cambridge Exam that paid quite nicely—thanks to Silverfishbooks.

But I’m not giving up on The Star. I will be contacting them again as soon as The Borneo Post comes out…It’s all about persistence and believing in your work.  So far the individual stories from Lovers and Strangers Revisited have been published 54 times in nine countries, four of the stories have been taught in four universities in Malaysia.  Plus “Neighbours” will be taught all over the country.

UPDATE:  The seventeen individual stories from LSR have been published 80 times in 12 countries, taught in several Malaysian universities, private colleges and in secondary school literature, and also in Canada.  Two stories have been taught at Ohio University (USA) and students from Ohio University traveled to Malaysia to film one of the stories, “Home for Hari Raya”.  (For the MPH version, to help to promote the book, I wrote a blog series The Story Behind the Story that was taught along with the story itself.)

So it’s a bit frustrating that I’m having such a hard time in Kuching getting bookstores to stock my book that only came out last year!  Hopefully tomorrow when my interview/review comes out, all that will change.  I have to remain optimistic, and then build on that momentum for Sara­wak, if not all of Malaysia.  Maybe next time, instead of short stories, I’ll write on some­thing controversial, with a lot of sex and mayhem, so the media will jump all over it. Of course, that could backfire and get my book banned.  At least I could say, if only the book hadn’t gotten banned, it would have been on all of the bestsellers’ lists in Malaysia and Singapore!

 

UPDATE:  Later, thanks to Lee Su Kim whom I met at conference in Penang, I networked myself into a two-book deal with MPH, and the MPH version of Lovers and Strangers Revisited (with two stories added) was not only reviewed in The Star, but also won the 2009 Popular-The Star Reader’s Choice Award.  In 2011, it was translated into French.  So persistence does pay off! Never give up on your stories or your novel.  Just find another way.  I had to do that when I moved to Kuching, Sarawak on the island of Borneo.

    —Borneo Expat Writer

My interviews with other first novelists by me, also about publishing in Malaysia and Sarawak

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize.
Golda Mowe author of Iban Dream and Iban Journey. 
Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009.
Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009. 


Chuah Guat Eng, author of Echoes of Silence and Days of Change. 

Trust the Novel Writing (and rewriting) Process. 

“Neighbours” (6th Cycle texts) Extended Again (SMP 2008-2015)

My short story “Neighbours” from Lovers and Strangers Revisited  as part of the 6^th cycle texts for SMP Literature has been extended again through SPM 2015.  The 7^th cycle texts (so far unknown, I think) will begin for SPM 2016. 

 

Again the stories from that original collection, after 20 years, is still going strong, heading into its 21^st year (and even 22^nd year).

Let’s hope another of my short stories from the collection will be selected for the 7^th cycle, perhaps “Home for Hari Raya” recently taught and filmed by Ohio University, or “Merkeda Miracle”written with Lydia Teh and Tunku Halim for Going Places (August 2009), the in-flight magazine Malaysia Airlines.

*Here are links to four of my author-to-author interviews of first novelists:

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize.

Golda Mowe author of Iban Dream and Iban Journey.

Preeta Samarasan author of Evening is the Whole Day. 

Chuah Guat Eng,  author of Echoes of Silence and Days of Change. 

Plus:

Five part Maugham and Me series

Beheaded on Road to Nationhood: Sarawak Reclaimed—Part I 

 

“Neighbours” Still Generating Interest

My short story “Neighbours” from Lovers and Strangers Revisited still generates plenty of interest after getting another extension of SPM Literature to 2014, no doubt because of the gossiping over a neighbour who committed suicide.

 

This morning I stumbled upon a 14-minute video of the story shot in a secondary school classroom (the first perhaps to be uploaded to YouTube).  It was more of a skit than an actual performance.  The students posted, “Don't judge it. We are amateurs… go read the story!”

The skit reminded me of the students from SMK (p) Sri Aman Petaling Jeya that I met at the Popular BookFest@Malaysia 2010 who put on a full performance of the story.  

Of course neither compares to  "Home for Hari Raya" filmed by Ohio University in December 2012/January 2013 expected to be premiered later this month.

I also came across a “Neighbours” exam question from the site MissyMacy:

Neighbours

See! See! That's what happens when grown boys stay at home - they got restless!" Ramli said, his arms raised in surrender. "Only a wife will settle them. A wife and a job will teach them some responsibilities. If you ask me, Johnny had it too easy. Too easy - has a working wife and only two children. One living on his own like that"

a) How does Ramli propose to overcome the grown boys' restlessness? (5marks)

b) Discuss the significance of the title. (8marks)

c) "Some people may think that gossiping is harmless, but in actual fact it can be very destructive."  Discuss the truth of the statement with close reference to the story. (12marks)

This is much easier than the question from an e-course that was posted on an earlier blog. 

Sue Ann Teo then referred to “Neighbours” in an "The Art of Secrecy" about gossiping in an article series titled, “Reflections: Can you keep a secret?” awhile back (just came across it).  She wrote: “It suddenly hit me; there is a short story written by Robert Raymer about gossiping among the neighbors in Malaysia. With words, Raymer has painted so vividly in the readers minds the scenarios of a group of neighbours, gossiping about something that they are not supposed to tell anyone - secrets of others.”

This reminded me Denis Harry’s article “Are You Mrs.Koh?” that she wrote about my character from “Neighbours” for The New Straits Times, also about gossiping.

For gossiping in general, we all need to reminded, now and then, that what goes around, comes around . . . . Of course, the best place to gossip is in your fiction.  Just make sure you change the names and identities of your characters and perhaps the settings, too, just in case...

*Later, I stumbled upon another film, a seven-minute abbreviated version  of "Home for Hari Raya", uploaded in January, produced for “A Creative English Project”.  The school wasn't named.  It's nice that students in Malaysia are attracted to my short stories.  Of course, this version doesn’t compare to the 24-minute version by Ohio University!  

**Update, the 20th anniversary of Lovers and Strangers Revisited 

Here are links to some of my author-to-author interviews of first novelists:

Ivy Ngeow author of Cry of the Flying Rhino, winner of the 2016 Proverse Prize.

Golda Mowe author of Iban Dream and Iban Journey.

Preeta Samarasan author of Evening is the Whole Day. 

Chuah Guat Eng,  author of Echoes of Silence and Days of Change. 

Plus:

Five part Maugham and Me series

Beheaded on Road to Nationhood: Sarawak Reclaimed—Part I