Personal and real
By DAPHNE LEE
An American in Sarawak explains why his short stories are not your typical condescending ‘Mat Salleh in the exotic East’ collection.
ONCE upon a time, a young American read about James Norman Hall – author, with Charles Nordhoff, of Mutiny on the Bounty – going to a tropical island to write a novel. He thought he might do the same.
It’s not a new idea: over the centuries, many a Westerner has travelled to the “exotic” East to stretch creative muscles – though not all that many have been successful at actually creating anything tangible. Robert Raymer managed it, though.
Like Hall, whose Mutiny he had read as a youngster, Raymer came to a tropical island – Penang, specifically, in 1984 – and began writing. Over the years, he has been pretty prolific, albeit at writing if not publishing: he’s written two novels set in Penang, and two set in his homeland, and published a well-received short story collection, Lovers and Strangers.
When one of the stories in the collection, Neighbours, began to be taught for SPM Literature in schools throughout Malaysia this year, Raymer decided it was time to release an updated and completely revised edition of Lovers and Strangers, which had originally been published in 1992.
In their earliest incarnation, some of these stories were published in magazines and newspapers around the world and on the Internet, including The Literary Review: An International Journal of Contemporary Writing (theliteraryreview.org), The London Magazine (thelondonmagazine.net), and Readers Digest (rdasia.com).
Raymer, who teaches creative writing at Universiti Malaysia Sarawak in Kuching where he now lives with his wife and two young sons, chats via e-mail about the collection and his unfinished works.
What’s the difference, for you, between writing a novel and writing short stories?
“Erica Jong once said that writing a novel is like marriage and short stories are like flings. I agree. When your marriage is going flat on page 280, a ‘fling’ of a short story seems awfully tempting. It’s also satisfying to complete something. To knock something out that’s shorter so you can feel you’ve actually finished something!”
Two of the stories in Lovers and Strangers, Dark Blue Thread and Only in Malaysia, are about American men who marry Malay women. Mat Salleh and Teh-O in KL feature the same. To what extent did you draw on personal experience to write these stories?
“Reviewers, especially for those stories involving ‘an American’, often comment (and assume) that the stories are ‘personal’ or ‘autobiographical’. Only one story in the collection is factual, and that is Mat Salleh.
“As I writer, I tried to make all the stories as realistic, or as personal, as possible by blending in realistic details, whether I was writing from the point of view of a Malay female, an Indian child, an elderly Chinese man, or as an American.
“Since I am American, readers tend to think I’m writing about myself and my ex-wife (he has since re-married), thus the whole story is ‘true’. Instead, I was merely trying to capture ‘the truth’ of what it can be like for an expat married to a Malaysian to give the story some backbone, which then makes the rest of the story seem believable, as if it were based on fact.”
Did you struggle to write any of the stories?
“The story that gave me the most problem has to be Sister’s Room (about child prostitution), finding that voice and maintaining it. I’m never satisfied with it; each time I go through it, each page is marked up!
“The Future Barrister was a problem too, having him tell his story and needing to break it up so it’s not some long, boring monologue. For the MPH collection, I did The Future Barrister in the present tense, and by doing that forced other changes too, and these changes I really liked.
“It felt like I was giving the story a fresh coat of paint and all the cracks were finally covered up!”
Tell us what’s happening with the novels.
“Realistically, a Penang novel might not have much of a market outside of Malaysia, while a US novel has more potential worldwide. For my US based novels I’m looking to the US or UK.
“Right now everything is on hold because I’ve recently decided to expand a novel that’s done well in two contests in the US into a trilogy, which I believe will make it easier to market.
“I’ve been reluctant to publish a novel in Malaysia for fear that it won’t get out of this region or that no one outside Malaysia will take it or me seriously. Of course, with Tash Aw’s book (The Harmony Silk Factory) and so many recent breakouts by Malaysians, things are starting to change.
“MPH and other publishers have been actively seeking to publish Malaysians writing in English. They’ve got great stories to tell! So I am thinking, okay, maybe the time is right, maybe I should publish my novel, Tropical Moods, here.”
Before that, though, Raymer will be publishing another collection, of narratives and articles, tentatively entitled Twenty Years in Malaysia. It is slated for release next year.
To find out more about Raymer visit his blog,
borneoexpatwriter.blogspot.com.
The publishing path
WHY Robert Raymer released a third edition of his Lovers and Strangers, and added “Revisited” to the title, is a long and (okay, slightly) convoluted tale.
The collection was first published by Heinemann in 1993 as Lovers and Strangers. Unfortunately for Raymer, the publishing house’s fiction list was discontinued shortly after the book came out.
Fast forward more than 10 years to 2006, and the collection was put on Universiti Sains Malaysia’s English syllabus. However, Raymer had revised the stories so extensively that he felt a new edition, Lovers and Strangers Revisited, was called for.
The Kuala Lumpur-based Silverfish Books (silverfishbooks.com) agreed to publish it, but there were problems with distribution in Sarawak, which frustrated Raymer since he lived there.
Eventually, Raymer contacted MPH Publishing and proposed yet another re-issue. He had heard that MPH Bookstores was opening a branch in Kuching and figured that distribution would not be a problem.
MPH agreed to publish it, so we now have this further revised edition of Lovers and Strangers Revisted with an additional two stories, Only in Malaysia, and Transactions in Thai.
Raymer’s reads (books that have influenced him)
1984 (published in 1949) by George Orwell: “(It) keeps coming true in so many ways, from the high-tech gadgets and the government’s ability to spy on us to all those cameras everywhere that practically traces everyone’s public movements from the moment they leave the hospital until they die.”
Crime and Punishment (1866) by Fyodor Dostoevsky and War and Peace (1865) and Anna Karenina (1875) by Leo Tolstoy: “At the thick end (compared to The Great Gatsby), you have the Russian novels ... War and Peace, the greatest novel in the world – God, to be able to write like that on such a grand canvas!”
Catch-22 (1961) by Joseph Heller: “Just for the sheer fun of it, and the I-can’t-believe-they’re-doing-that-and getting away-with-it.
The Great Gatsby (1925) by F. Scott Fitzgerald: “An important book for me as a writer.... Such a powerful story with so many subplots inside, yet it’s marvellously thin!”
To Kill a Mockingbird (1960) by Harper Lee: “You’ve got these kids wanting to flush out Boo Radley that you can relate to, and this big story that’s going on (the no-win trial), and then the two stories collide in a way you never quite expected.”
Recent reads include A New Earth (2008) by Eckhart Tolle and Inner Drives (2005) by Pamela Jaye Smith: “(Inner Drives is) an insightful book for developing characters for writers that I stumbled upon by chance at the library – see, another benefit of going to the library!
“When I first moved to Sarawak I was reading all these books on Sarawak and Borneo, but lately I’ve been reading all these self-help books while trying to figure out why I haven’t been all that successful as a writer and as a person despite been relatively decent, intelligent, and hard-working!”
*Update, the 20th anniversary
of Lovers and Strangers Revisited
Here are links to some
of my author-to-author interviews of first novelists:
Ivy
Ngeow author of Cry
of the Flying Rhino, winner
of the 2016 Proverse Prize.
Plus:
Beheaded on
Road to Nationhood: Sarawak Reclaimed—Part
I
Here’s
another review of Trois autres Malaisie, the French translation
of Lovers and Strangers Revisited, which appeared in Easy Malaisie- January
2013.
Ce recueil ne parle pas
uniquement de la Malaisie, il respire la Malaisie. Quelques passages semblent
tirer en longueur alors que certains vous aggripent, vous tenant en haleine,
pour au final, d'un ton juste, traduire le fidèle reflet de tranches de vies
ici. On glisse d'un chapitre au suivant, baignant entre communautées malaise,
chinoise et indienne, comme on regarderait à travers un kaléidoscope. Ces
quatorze nouvelles sont proches de ces croyances, de ces traditions propres à
la Malaisie, de tout ce que l'on ne voit pas non plus, de ce que l'on ne devine
pas. "Trois autres Malaisie" se fait le juste écho d'une plongée au
coeur de cette terre aux couleurs bigarrées. Il se lit comme un journal, comme
un saut dans l'histoire d'un être, puis d'un autre. Comme un voyage, faisant
escale d'une vie à une autre, sans fioritures inutiles. Robert Raymer apporte
un regard vrai et authentique à celui qui serait curieux de découvrir au fil
des mots non pas le, mais les différents visages que porte la Malaisie.
