A Perfect Day for an Expat Exit has made
Round Two of the 2014 Amazon Breakthrough Novel Award under the Mystery/Thriller category. This
is based solely on the 300-word pitch, which is what agents and editors see
first when you pitch them, as I wrote in my Six Lessons Learned from entering the Amazon contest last year.
Round Two is based
on the 5000-word excerpt and a shot at the Quarter-Finals (14 April). A different novel, The Resurrection of Jonathan Brady made the Amazon Quarter-finals
in 2012, beating out 95% of the completion.
An earlier draft of A Perfect Day for an Expat Exit made the finals of the 2012 William Faulkner-William Wisdom Novel Competition, so I have some hope here, too. One of the significant changes I made since then was turning this third person, present tense story into a first person, past tense novel, plus a ton of rewriting while reading the novel out loud.
An earlier draft of A Perfect Day for an Expat Exit made the finals of the 2012 William Faulkner-William Wisdom Novel Competition, so I have some hope here, too. One of the significant changes I made since then was turning this third person, present tense story into a first person, past tense novel, plus a ton of rewriting while reading the novel out loud.
While waiting
for Quarter-Final announcements, it’ll back to rewriting A Perfect Day for an Expat Exit’s sequel, The Girl in the Bathtub, which was also a novel-in-progress finalist for
Faulkner-Wisdom back in 2012.
I’m hoping all
the work I’ve done these last two years on these two novels will finally pay
off.
Here’s the
300-word pitch (287 words actually) that got the novel through to Round Two:
A Perfect Day for an Expat Exit
Having your fate hinged on the erratic behavior of a manipulative
American expatriate who has nothing left to live for cannot be
good…
“When
living overseas as long as I have,” Michael Graver said from the comforts of
his decaying bungalow, “the question that you always have to ask yourself . . .
is today a perfect day for an expat exit?”
Distraught
over catching his wife making love to an ex-boyfriend, American businessman Steve
Boston flees from his former life to the tropical island of Penang. En route to the Eastern
& Oriental Hotel, a colonial holdover,
Boston comes to the aid of a mysterious Eurasian whose
complicated life has been made messier by her father’s body washing
ashore. His death is not only linked to the
enigmatic expatriate Michael Graver, who seems to know everybody’s
personal secrets, but also his anti-American, opium-addicted British wife,
Amanda.
Until he met Graver, Boston had only read about
expatriates as if they were some kind of mystical creature—a shapeshifter capable
of abandoning one culture for another or living in the shadows for the sake of
survival; either hiding from their troubled past, seeking some self-indulgent
pleasure, or searching for a mythical treasure. Or a little of each as in Michael Graver’s
case.
Graver’s
life, however, starts to unravel when his own well-kept secrets are uncovered. With
little left to live for except an elusive treasure buried by the Japanese at
the end of World War Two, Graver gamely manipulates those around him, including
Steve Boston who keeps finding himself in the wrong place at the wrong time
until he’s caught smack in the middle with a gun aimed at his head.
Here are links to
four of my author to author interviews of first novelists:
Golda
Mowe author of Iban Dream and Iban Journey.
Preeta
Samarasan author of Evening is the Whole Day.
Chuah
Guat Eng, author of Echoes of Silence and Days
of Change.
Plus:
Five part Maugham
and Me series
Beheaded on
Road to Nationhood: Sarawak Reclaimed—Part
I
2 comments:
Congrats.The 300 word pitch makes me want to read more.
Thanks. Adding that quote from the novel at the beginning of the pitch helped. I inserted it into the first page of the novel too when I refocused the novel in 2012 to indicate that it's about the expat Michael Graver, who doesn't get introduced until several chapters later. The actual quote in the novel is about two-thirds of the way through.
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