Here is the full interview on crafting,
writing and selling short stories that I recently did for Terence Toh for his
article “The Long and Short of it” in The Star.
Some of the best stuff was left out since it featured several other writers and
readers.
1. Why do you enjoy writing short stories?
When I first began to write, I would
spend 15 minutes every day randomly describing something by carefully observing
my surroundings, whether I was at home, eating outside, waiting at a bus stop
or inside a bank. Most of the short
stories that I wrote for my Popular Readers Choice Award winning collection Lovers and Strangers Revisited began that
way. I didn’t set out to write a short
story, yet by merely observing my surroundings, an idea would take hold and I
would stay with it for as long as it took to rough out a first draft. What an unexpected joy — turning an exercise
into a short story in a couple of hours.
Now that you have a new story, you got something to work with…which is a
whole lot more enjoyable than staring at a blank page.
2. How is the process of writing and editing a short story different from other forms of writing, eg. novels?
A short story, like a good poem, has
a singular effect, a singular voice.
Novels can by rangy and loose.
Short stories are taut, no wasted words are allowed, no
digressions. Being short, about 8-25
pages, it can be roughed out and polished in a matter of days, weeks, whereas a
novel takes months, years. It takes a
lot of patience. Sometimes it feels like
you’re digging a ditch, day after day, week after week, month after month, but
you just got to keep on digging until you reach the end of that novel, then you
got to revise and edit it, draft after draft.
Far too many writers give up after the initial inspiration dries
up. God,
this is taking forever!
3. In your opinion, what elements
should a great short story have?
A well-crafted short story has it
all: tight writing, great imagery, apt
descriptions, resonating mood, controlling theme, memorable characters, plus a
logical, well-thought out, plausible story even if its fantasy or science
fiction. It has a singular effect driven
to an inevitable conclusion even if we never saw it coming, leaving the reader
feeling utterly satisfied.
4. What is the greatest challenge of creating a memorable short story?
The biggest challenge is creating an
effective story with a unified theme that holds it all together, something that
resonates deeply with the reader. We
have to show this (as if we’re watching a play or a movie unfold), not tell,
and the reader doesn’t often see this over-arching theme until the final
resolution, something else they didn’t see coming, despite it being a logical
culmination based on what came before….Too many beginning writers try to
trick the reader to show how “clever” they are; but in fact they’ve cheated the
reader by creating an implausible ending that leaves the reader scratching his
head and thinking, “Huh?” Whereas, a
memorable short story is based on logic, even if the ending is unexpected, yet
the clues, the inner workings of the story, the cause and effects of the
characters’ actions, were all in place.
We’re left thinking, “Wow, great story!”
5. How is the reception like for
short stories in Malaysia? (compared to other parts of the world, if you are
familiar with them?)
I think it’s wonderful what Amir
Muhammad is doing with Fixi Novo, creating outlets for local writers. It’s one thing to be published online,
another to hold a book with your story in it.
On-line publishers, however, often have a greater reach….Markets in
Malaysia (and around the world) have always come and gone. Back in the late 80’s/early 90’s many of my
short stories were published in Her World
and Female and other local magazines here
and in Singapore that published short stories every month; but then they dried
up. Others would appear and
disappear. Recently Esquire Malaysia published fiction, but then stopped. I used to go to newsstands and scour local
magazines to see if any new markets have appeared; now writers can do that by Googling….It
was great when Raman Krishnan came out with his Silverfish anthologies and
then began publishing short story collections by Malaysian writers. MPH has also been very successful. The markets and publishers are there; they
may come and go, but the writer has to look for them, just like writers do all
over the world. Malaysian writers can
even submit their stories overseas online.
I’ve had Malaysian-set short stories published in twelve countries.
—Borneo Expat Writer
My interviews with other writers on their first novels:
Golda
Mowe author of Iban Dream and Iban Journey
Preeta Samarasan, author of Evening is the Whole Day, finalist for the Commonwealth Writers Prize 2009.
Chuah Guat Eng, author of Echoes of Silence and Days of Change.
Five part Maugham and Me series
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